jantje friese interview
. The ultimate example of that is Season 2s epic revelation that police chief Charlottes (Karoline Eichhorn) mother is actually her daughter Elisabeth (Carlotta von Falkenhayn) through more time travel shenanigans. Much to the disappointment of diehards who might venture to Berlin in the hopes of visiting the shows most pivotal location, the Winden cave doesnt actually exist. The former show, after all, spawned a worldwide cult following of fans eager to untangle Dark's knots, and the idea for 1899 first sprung up after Dark's first season. While the closing chapter features answers to some of those questions, the episode before that is the one that holds the key to more than a few loose ends that have been lingering for fans of the show. Letting all of that go, for me, feels very satisfying. But you can create huge worlds with it." Those visual changes are built on the foundation of a braided narrative that stretches out across all three seasons of Dark. Ideas planted early in the series run return as the show moves toward its poignant ending. This Article is related to: Television and tagged Baran bo Odar, Dark, Jantje Friese, Netflix. This interview has been edited for length and clarity. Did the actors all know about the ending? Also the same as we did in Season 2 where we put a little bit focus on different characters like Claudia and Egon, were going to do the same in Season 3 and call some people up that had smaller parts. Jonas and Martha sacrifice themselves and their own worlds in order to stop the loop and save the origin world. They will never be able to overcome their inner longings, their ego. A scene from Netflixs 1899 in the Dark Bay LED Volume studio at Studio Babelsberg, Willie Nelson Turns 90: Keith Richards Joins Hollywood Bowl Bash, R.M.N. 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The same people laugh, cry, they get born, they die just fundamental human stuff. [1] Work [ edit] Jantje Friese studied production and media management at the University of Television and Film Munich. They are very good at putting pieces together. Offers may be subject to change without notice. Most people dont understand, that, because theyve never used it. That was a challenge I really loved. But those limitations are actually amazing, because its still a tool to create illusion. Especially working on Cantonese was interesting, because they structure the language completely differently. I think thats really interesting. It's Me, Margaret' to 'R.M.N. 1899: Creators of Dark Start Production for New Netflix Original-series Robot, earned critical acclaim and three German movie awards, Netflix approached the duo to adapt the film into a series. What stylistically are you going for with this show? And also why would they like weird German-language things? Others will take more time because they might think its about the Bermuda Triangle or whatever. [Note: The following interview discusses Season 3 of the Netflix series Dark.]. Copyright 2023 Meredith Corporation. Come along for the ride! If you turn that upside down, its 666, the number of the beast, so its magical too. ', John Mulaney's New Netflix Special Is a Critical Reminder About Celebrity, 2023 Emmys Predictions: Outstanding Lead Actor in a Limited Series or a Movie. Jantje Friese Actually, the idea and the spark for it happened years ago. "Slowly you build your own mythology and set of rules. We always think we have to answer everything. Thats why we decided against showing it. 1899 also has a unique sound because, fitting with the theme of Europe you were talking about, you decided to have all your actors speak in their native languages. This time travel paradox of creating a closed causal loop, where the origins of something cannot be determined such as the chicken and the egg, is introduced in Season 2 to set the groundwork for such mind-blowing revelations. So that is like five pages of conversation between the writer, the translator, the language expert: Here should they say tu or vous? It became a really complicated process. We realized that was insane to do on costs. Now I can spoil it: There is already a hint in Episode 1 when everyone is raising their teacup at the same moment. We were actually really afraid of what was going on. Every step they are doing, they're doing one after the other. By making this choice and what you read into it, youre learning something about yourself. That was the thing Claudia wanted to achieve. Your Burning Firefly Lane Questions Answered. I think you have to watch carefully, because every little piece means something. 2023 The Hollywood Reporter, LLC. Is one powerful family to blame for the deaths of five people in the wilds of South Carolinas Lowcountry? The entire first season was filmed at the Dark Bay LED studio on the Studio Babelsberg lot outside Berlin. We didnt try to make it easier. Jantje Friese: What we really liked about 1899, not 1898 or 1897, is that its on a threshold. "And obviously, this will only happen if enough people watch, but the way that we approached development and how season 1 is ending, you kind of want to have another one. We had a lot of photography from really weird people with very strange lighting setups that created a very interesting isolation of the figures in the images. America So She Could Breastfeed Privately, Michael J. Jantje Friese and Baran bo Odar discuss what they kept from set and the difficulty of letting go once filming on the series ended. But were not going to solve every riddle because sometimes its funnier [that way]. Im obsessed with history, seeing how everything is related to each other, seeing the reasons for things. Says Jeff Wise from The Plane That Disappeared: The entire aviation industry has an asterisk next to it.. How do people cope with situations when theyre not able to speak the same language? To achieve this, Odar says Friese initially wrote the scripts in English, and then writers and translators from all over the world advised on the parts that needed to be in other languages. So where does the show go in Season 3? Friese: It was one of the things we always wanted to do. Honestly, the most difficult people to find were women [older than middle age]. Whats the fundament of it all? In the Eliott Sumner version we use in the title sequence, the line that features so prominently is feed your head. That was such an important phrase for the entire show that it felt like the absolute right fit. These meet-cutes will bring on all the feels. So every riddle we put in there, we feel we have to solve it, she said. 'Dark' Season 3 Interview: How the Co-Creators Pulled Off All the "I think we created a very small world, to be honest, on Dark. Sign up for our Email Newsletters here. Jantje Friese: We wanted to introduce the parallel world in the second season. I put a lot of thought into it: What kind of information and when do you explain certain rules? It just looked pretty. I love her! said Friese. Its not the kind of story that can be reworked and improvised on the fly with each passing group of episodes, as Friese can attest. We always knew we wanted to save Regina. Friese credits casting director Simone Br for the series uncanny casting coups. Jantje Friese: 1899 is special because it's very topical - in 1899 people had a lot of racial prejudice, class prejudice, gender prejudice and so on. Friese and Odar have been otherwise tight-lipped aboutthe series so far, buta teaser revealsall of the cryptic clues, strange symbols, and dark imagery fans of their work will recognize. Note: This article contains major spoilers up through Dark's Season 2 finale, and some mild spoilers for Season 3. So, in moving forward, lets assume you have watched all of Dark. Because Dark travels back and forth in time, dropping in on the same Winden residents at different ages in 33-year cycles, casting children, adults, and older versions of those characters is essential to sell the outlandish storytelling. By the end of the second season, the timeline of Dark has become more of a time-web, with certain characters now able to hop back and forth through time without adhering to the 33-years rule, while other characters discover that certain people they meet are actually their own future selves. But the novel is so voluminous that the miniseries format makes more sense." Ten minutes later, you're like, 'No, shit. 'Tyll' Series From Dark & 1899 Creators: Everything We Know Where to Watch This Week's New Movies, from 'Are You There God? Everything is planned in that one holy book. Jock Zonfrillo, Chef and MasterChef Australia Judge, Dies at 46, Succession Star Reacts to That Kill List, Talks Golden Parachutes and Kendall Roys Ascension. (Laughs.) Friese and Odar are coy when asked about it. Everything happens constantly in loops. Friese: I think its a relief for them compared to green screen, just because you can actually look at something. Even if the hair color is lighter or if they have freckles, then that kind of a hint. Was it a challenge for the actors themselves, who are often performing opposite someone whose language they dont understand? In Season 1, one of the biggest revelations once time travel is introduced is that teenager Jonas (Louis Hofmann) realizes that the young boy Mikkel (Daan Lennard Liebrenz) who disappears from Winden in 2019, has actually gone back in time to 1986 where he then met and eventually married Jonas mother. So you didnt have to really change the way that youre shooting; you can do the shot and the reverse shot in one day, which was really helpful. Friese: Yes. One plus eight is nine. Dark creators tease the mysteries behind their new Netflix series 1899 We need to know what are we actually talking about. So for all the fans out there: Sorry, there wont be any characters fromDarksuddenly appearing on the ship. It would have felt like selling our souls and not delivering on what we wanted to do [if we had more seasons]. It's a highly rewarding if not particularly easy viewing experience, being at times hilariously confusing, especially if you're not a German speaker and are busy reading subtitles while new faces appear on screen. You might have an answer, and its very personal. We get that question a lot. You can only stand here. We wanted to make sure we got there. I stick to a very weird process, which is that everything needs to fit into a book of [a certain] size. "And then after the third season of Dark, there was this huge pressure on our shoulders, because everyone has expectations, and everyone kind of either wants to go on the same ride or kind of the same ride. You dont need to see it on screen. This is one of the first TV shows, afterThe Mandalorian, to use new LED Volume technology to create virtual sets. Hannah reveals shes thinking about Jonas as a name for her unborn child. It was one of those pictures youre drawn to, where you immediately start asking questions: What did he do with that hammer? Writing is really about going back and forth between all three of them. Menu. When it came time for Martha (Lisa Vicari) to take on some of the some iconography that in previous seasons was associated with Jonas (Louis Hofmann), that exchange between the two main characters made for a moment that forced them and series co-creators Jantje Friese and Baran bo Odar to recalibrate a little. One may be desperate to see the world the duo has created for 1899, the teams new Netflix series, but could also be slightly worried their brain might not be able to handle it. The first season is actually very simple: Its a small town, with kids disappearing, and then theres some time travel events in the cave. Also, we actually thought about putting some of the stuff thats now in Season 3 into Season 2, but then decided to move it backwards. And then we try to find a world of symbols that all ties into our theme," she says. Dark couldnt cast people who were too distinct though, in the interests of the mystery. With that being said, is there still a story to tell in the universe of Dark, or do you feel closed at this point? bo Odar:Thats a message to Final Draft: Work on that script notes function. How much room do you give for people trying to figure it out and when do you push them into the right direction? Something Is Killing the Children Netflix TV Show in the Works - The Baran bo Odar and Jantje Friese are absolute geniuses and have created an epic sci-fi story for smart people.they did not dumb it down at all even in the final season.the fact that this was an original idea and not based on a book etc gets them even more kudos.it's also obvious that they planned this entire story from the beginning and "Because there are so many layers of science philosophy and metaphysics and spiritual stuff, and it was quite interesting to see that they are all actually talking about the same thing, just from different angles. Did you learn anything surprising working across so many different languages? Hopefully it feels like something really fresh and new, while still [being] exactly what Dark fans would like to watch." who wrote the triquetra notebook? Friese: Some people have already found a lot of the imagery and paintings we used [throughout the series]. "We hate green screen, always did. En route, they encounter a mysterious second ship, the Prometheus, which has been missing for months, adrift on the open sea. You will have to see. Like letting go of some love affair.. Jantje Friese and Baran bo Odar, who also created the streamer's hit 'Dark, are back with another meta mystery, this time set on a migrant steamer at the turn of 19th century. There were some really tough choices to be made, especially in the in the editing room. "Because in their arc, the narrative is straightforward. You were really, like, lovesick after filming was done. How did the script work did you write in German and then have things translated? Describing the premise of the series feels almost impossible. And if you ever tried that for one day, it is really weird and awkward.. But in the end, it turned out to be way easier than we thought, because theres a sort of universal language, without words, going on while youre communicating with someone. The ending, knowing where youre going is one thing, but then finding the ways to get there is really a whole different challenge, said Friese. The thriller follows a forensics agent desperate for answers after finding out shes an identical triplet. But thats what we learned: So okay, what do we have to put in the background so it glues these things together? And thus, fans of this science fiction series can be found discussing Nietzsche and other philosophers, trying to unlock the shows themes of free will and fate, alongside the physics of time travel. What resonates with a lot of viewers is this feeling that we also sometimes have: do we matter? In the first season ofDark we still had stuff on the walls, but no one ever looked at it. That was the initial plan. And then the pandemic happens, the show was supposed to be shot in a very traditional way, where we would have gone to a water tank and we would have built ship set pieces and traveled to other countries to shoot scenes there and stuff like that," he says. What happened in that period is that modernism clashed with old beliefs. Well send you our daily roundup of all our favorite stories from across the site, from travel to food to shopping to entertainment. It always comes down to some kind of programming they had before them that you cannot choose because you cannot let go of the stuff that happened before you. What did you learn using the new tech? Friese:There are always three key elements. "It's a huge dining room, but it's actually just four pillars and a couple of tables and a couple of extras. They said the most complicated thing was actually the logistics, scheduling when you can shoot what, how to get sets in and out and the reverse shots, all those sorts of things. bo OdarBut lets not forget thatDarkwas three seasons. Friese compared it to the Season 1 episode that first travels to the 1950s and the Season 2 episode that revisits the day of Michaels death. Where does he come from? Especially with a show like Dark, which does close so many of those open loopholes, theres always a certain amount of desire to stay with those characters and see what happens after the turmoil has subsided. 'Dark' final season: here's what happens at the end of the Netflix time travel thriller. It's a lot to keep track of, and a feat of brilliance that Odar and Friese have made it work so seamlessly, especially since the show never shies away from introducing the actual quantum theory behind parallel universes and God particles. I used the wrong hand! (Laughs.) I personally feel that a lot of very great philosophers came out of from German history. Im in there with a recording of violins theres also some guy using an arc welder in the next cabin.. ", Odar explained that, if you're looking to keep track of everything, follow the symbols. ", The poster for 1899 (below) shows a ship perched on the edge of a triangle in the middle of the ocean, leading some fans to speculate that the mysterious Bermuda Triangle myth could play a part in the story. Get a behind-the-scenes look at the new mystery-thriller series. And. First time filming in new cutting edge LED-Volume at Babelsberg Studios. "I gave that to a couple of actors and they all had the same experience. Sign up for THR news straight to your inbox every day, Inside the business of TV with breaking news, expert analysis and showrunner interviews. bo Odar:When we spoke to the guys behindThe Mandalorian, we asked them what worked and what was really complicated. Originally there had been considerations to convert the material into a film. It gives this other world a huge chance. Its the same word in English and German. Youre crossing into a new century, stepping from something that feels old school to something new the future. It's really a long, long process. Its not every word but you learn how a language sounds and, especially if you do a lot of takes, you get really used to it. It creates such a powerful illusion that, in the beginning, the crew and actors were actually getting seasick because the horizon was moving on the volume screen. We really try to be very true to our core audience, which just loves puzzles but also knows every code and every cultural reference. The passengers of the Kerberos encounter the biggest mystery of their lives. And that's the same here again, now with the pattern pyramid and the triangles. You can try that for a day, and its really awkward to do if youre not left-handed. And as we go through the process, the ideas can shift and move into a different position. But where they're going isn't to a different time period; she clicks a device and suggests they're going to a different world. You have to open doors with your left hand. "I would say culturally, there's a lot of difference between German Europe and India. This Article is related to: Television and tagged Dark, Jantje Friese, Netflix, TV Interviews. Jantje Friese - IMDb There are different sections in there in the beginning, I just put Post-its in so I can still rip them out again. Its been quite a process getting to here. 'Dark': Creators Jantje Friese and Baran bo Odar - IndieWire Friese:Oh, absolutely. It was such an interesting challenge. Proceed with caution. Entertainment Weekly may receive compensation for some links to products and services on this website. Could bruiseless avocados, sugarcane plastic and carbon-capturing concrete actually exist in real life? If you're ready, you can also read our series finale recap and explainer. One doesnt need to actually understand how or why something happens on Dark although thats a bonus but just learning the end result of some of these time travel hijinks is entertainment in itself. A mysterious journey unfolds for a group of London migrs as they sail toward New York. We know people will be going insane about it, but we always knew this would be our answer: we dont have an answer, because we do not know if theres a god or not. The quote in the song from Emily Dickinsons poem, in the beginning, is really about experiencing all this weird shit going through your brain. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. You can follow the Back to the Future kind of way where you can actually change stuff in the past that will affect the future which with my very personal more deterministic view of the world is nonsense, said Friese. "To create worlds you need to create patterns, and the best way to create patterns is by using symbols," he said. Science and religion clashed a lot. Succession Reveals Logan Roys Successor: Who Is in Charge of Waystar Royco? They have something almost like emoticons at the end of every sentence, in order to understand how that sentence is meant. Sign up here for our weekly Streamail newsletter to get streaming recommendations delivered straight to your inbox. "We always think we have. This, this Volume technology, is the beginning of a new era of visual effects. All Rights Reserved. We were doing research for something completely different, I actually dont even remember what the research was for. For example the room number 1011 is binary code. In other [projects] weve done before, we dont like to end on a dot. And the older they get, it gets worse, said Friese. Andreas Pietschmann plays Captain Eye Larsen in 1899. Friese: Its a good thing because it helps you see who you are yourself. Its both hopeful and ominous at the same time. Even 24 frames per second, creating motion from still frames, thats the first illusion you create as a filmmaker. Did the worldwide success and fan response toDarkchange how you went about making1899? One is theme, the other is character and the other is plot. ", Friese says she was bothered by this for the first few months actively working on the scripts for 1899, but, "At some point, we just said, 'Let's shake it off.' Is it because it was a time of confrontation between technology and tradition? We also decided to shoot that scene on the very, very last shooting day. Some will in Episode 1 understand its a simulation. The largest LED "Volume" of its kind in Europe, it unlocks the ability to capture a significant amount of complex visual effects shots in-camera through virtual sets and locations created with game engine technology, as opposed to a traditional green screen. We already have so many timelines; revamping them for other timelines and then building them for the mirroring? The Hollywood Reporter is a part of Penske Media Corporation. But the mid-ground, the thing in between, thats what actually glues these two layers together, and its the most important part of the whole process. Its just a nice nuance with which to end. Thats the fun of it. In talking about a mirror world, though, we wanted to use that trick and actually mirror the images. For a long time, even already in film school, we had this urge to change that, to really have characters from particular countries speak in their own voices, because language really defines character. Whats the space in which youre telling your story? ", But amid all the symbology and references to religion and philosophical theory, there is one very simple concept that unites it all: the notion of an immutable past that, quite literally, in this case, always catches up to the present, and in so doing, informs the future. In terms of diversity, thats actually really one big thing that when you have people crossbreeding through different timelines you really cant just throw in something because then otherwise you would kind of know whos is whose child, said Friese. But were not afraid of putting bad ideas on the table, because sometimes theres something small in a bad idea thats actually good that you should use.How Many 6x8x16 Blocks On A Pallet, Haley Joel Osment And Emily Osment, Joel Brand Santa Monica, Affirm Careers Salary, Ati Skills Module 30 Virtual Scenario Nutrition, Articles J